Irma Vep Episode 1 Recap and Ending, Explained – When disillusioned actress Mira Harberg travels to Paris to play renowned villain Irma Vep in a version of Feuillade’s “The Vampires,” an encounter with her old lover Laurie reawakens latent desires.
HBO’s satirical drama series ‘Irma Vep‘ presents some of its primary characters and narrative points in its debut episode, titled ‘The Severed Head.’ The show is based on French filmmaker Olivier Assayas’ 1996 film of the same name, which he wrote and directed. Both ideas focus around reproducing Louis Feuillade’s silent-era serial picture ‘Les Vampires,’ which was released in 1915.
Mira Harberg (Alicia Vikander) is a Hollywood celebrity who recently participated in a high-budget superhero film in the most recent adaptation. Mira is dissatisfied, despite the film’s popularity. She accepts the role of Irma Vep because she believes she hasn’t yet fully realised her acting talent.
Irma Vep Episode 1 ‘The Severed Head’ Recap
‘Irma Vep’s’ first episode is named after the first entry in ‘Les Vampires.’ “The Severed Head” begins with Mira (Vikander) rushing through an awkward transitional moment in Paris, where she’s wrapping up publicity for her latest blockbuster hit, Doomsday.
Before moving on to Les Vampires, an occasion marked by her leaving a five-star hotel suite for the presumably humbler digs of the French production, her predicament is more akin to Juliette Binoche’s in another Assayas film, 2014’s great The Clouds of Sils Maria.
In this episode, Binoche plays a huge movie star who wants to feed her serious acting side while wearing silly spectacles. (In one of the film’s funniest scenes, Binoche and her assistant, Kristen Stewart, yawn through her latest 3-D smash.) Mira arrives in Paris with her new assistant, Regina (Devon Ross), and is thrust into a professional and emotional dilemma right away.
With a press conference and overbooked TV commercials followed by a premiere where she gamely signs autographs and poses for media cameras but appears very much like an actor at the conclusion of a tour for a movie they don’t care about, the promotional duties for Doomsday are merely a an irritation. The arrival of Doomsday’s director, Herman (Byron Bowers), and his lovely new wife, Laurie (Adria Arjona), who happens to be Mira’s ex-assistant and ex-girlfriend, is even more difficult for Mira.
To say their relationship ended badly would be an understatement, Mira didn’t even respond to the wedding invitation, let alone show up, but Laurie still has a hold over her. Worse, even for Mira, Laurie is well aware of this and makes use of the chance to flaunt her money and torment her mercilessly. After Laurie comes 40 minutes late for a drink and promptly reveals she’s leaving for dinner with Herman, Mira closes their final conversation in this episode with a booming “Fuck you.” Mira, on the other hand, is still dangling from the hook.
Early signs suggest that the Les Vampires set may not provide her with the rich creative experience she desires. René is first shown stumbling through a scene in which a body is supposed to be rescued from swamp water, but the blocking hasn’t been sorted out yet. Meanwhile, he’s made the mistake of lying to his insurers about his medications, which worries his producer, Gregory (played by Claire Denis’ favorite Alex Descas).
Understandably, his English is stuttering in his initial meeting with Mira, but their communication problems go deeper. “I don’t care about movies,” he says at the outset. I used to, but I no longer do. Perhaps it will return.” Then he goes on to say that his role as a director is to “screw the plan.”
Given how much of her time in Hollywood is micromanaged down to the minute, fucking up the plan might be exactly what Mira wants from her brief vacation in France. A second chat with René, on the other hand, is more deflating: Mira has done her research on Les Vampires.
She’s watched the entire seven-hour series three times and investigated Musidora, the actress who played Irma Vep in the original series, whom she discovered to be an incredible woman, one of the first female filmmakers, novelist, cinema critic, and romantic adventurer. René regards her as more of an item, perhaps an inspiration to the Surrealists and “an outlaw,” but primarily a muse for guys like him, similar to Irma Vep’s character. It’s a subliminal hint that Mira might be switching gears creatively.
On the other hand, she might not have to worry about René. Due to a string of batshit crazy behaviour on previous film shoots, the insurance company concocts a scheme to back the project with him as director. When Gregory mentions the film Agony in the Garden, René instantly begins reminiscing about his passion for it, obfuscating the fact that he attempted to run over the lead actor with his car.
He’d also peed on the period furniture of another production, partly because he didn’t appreciate it. He has all the flaws of a self-styled artist, as well as the main actress, who is accustomed to performing at a high level, even on projects that mean nothing to her. It’s going to be a long shoot.
Why Did Mira and Laurie Break Up in ‘Irma Vep’ Episode 1?
It appears that a big part of Mira and Laurie’s conflict derives from the relationship’s fundamental power imbalance. Laurie was Mira’s personal assistant before becoming her lover. She saw what Mira could afford for herself and resented the other lady because of it. Laurie has access to everything Mira does now that she is married to Herman. And she has no problems about telling Mira about it.
The amount of authority Laurie still wields over Mira is an interesting part of their relationship. The former is still head over heels in love with her. It is, without a doubt, the most obvious aspect of the story. Laurie appears to be aware of this, and she enjoys teasing Mira. Even though Mira has more social and financial power than Laurie, there is a scene near the end of the episode where it is revealed that Laurie is the dominant one in that dynamic. This disparity could have been the deciding factor in Mira and Laurie’s breakup.
Watch ‘Irma Vep’ Season 1 Episode 1 Online
Irma Vep is an HBO original series, which means it will be accessible on HBO Max, the network’s streaming service, on the same day it premieres on regular HBO, which is June 6, 2022, at 9 p.m. EST.
Irma Vep, an HBO original production, will be available for streaming on HBO Max on the same day it is released. You will have instant access to HBO Max if you already have an HBO subscription. The subscription plans, however, differ depending on your provider. You can get the ad-free version of HBO Max for free if you have an HBO subscription through Amazon, Apple, Google Play, Roku, or Samsung TV.
Art imitates life.
— HBO (@HBO) June 2, 2022
Irma Vep is a loose and naturalistic film that combines material from the original Les Vampires with scenes shot specifically for the show-within-a-show. But we’re really glad to see that Vikander’s Mira tale will be complemented by a well-thought-out story about making the show.